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Minneapolis, MN links & archives
a pile of mostly raw and probably bad poetry
on the internet
in the hopes of creating something better
This blog is not CLEAN and is not meant to be.
Useful critique appreciated, i.e. specific comments and suggestions.
You need not identify yourself unless you want to;
comments will be judged on value, not the source. (Although knowing the source can be useful.)
Unsupported heckling OR praise are not appreciated.
Also, I vaguely apologize if you're my friend and you see yourself or others we know here.
I am aware that that can be unsettling
but that's the risk you run being friends with a writer. Also,
maybe you're just being paranoid. Also,
there is never a clear picture of reality
you broke your hand - a month
ago; your feet failed
to hold you. we can't hold
ourselves. i visit my mother,
try to smash her
with my eyes, want
to talk to your mouth, which is
sealed with eyelids. i think
you saw me
before you shut
down. i can dance
on one leg, but if
i do, i can't
kick you
Labels: you broke your hand
the advice she gives me is maybe
we've been friends this long
because i've been unavailable.
this boy wants me, is free
with caresses. i don't know if you know
how uncomfortable i am on this couch
but i rarely see you
irritated the way you are
now. i want to live in the space
under your arm, next to your neck.
when you hug me or wear my clothing
i could wear these clothes longer,
hold on and hope this boy
doesn't try to touch me. she tells me
it sounds like i'm doing everything right,
if i don't want things to get physical
you and i should hang out
in crowds.
starting can be easy
but follow-through a thread
piercing
hurts
storylines shouldn't
snap, i'm dangerous
to myself, to others
p.s. i love you
stranger, i have not slept
solidly for months. the air
is full of conversations, full
of apologies
why am i
paralyzed
in the mourning
of the past, of the future
if i repeat
'how inexpressible,' will this
express? there are
words we do not say. press
our chests, palms, and feet
together like prayer: we
know it as though inside
ourselves the other
lives. does this happen
to birds? with their small
and rapidly beating
hearts
Labels: less rough
in your quiet
foot, i feel the
movement
of teeter totters. it is
like we have been
doing this
since childhood.
you laugh at my voice all
evening, it rings low
like a telephone in my chest. when
we talk, i feel
like
sleeping, and not
because we have not
but because we want
to communicate
like humans
and humans have bodies. how foreign
this feeling is, how absolute.
your laughter could be rapid
eye movement. i could be seeing
images in my head
Labels: david - with intention, less rough
stop my mouth with words
describing
smells; the temperature
shifts, heat
conducted. music
made of
pulses. i feel
the need
to grope
the wall
as though it were
skin. you
have alliteration
on your side
and here, have
my heart, it is
inside
my body
Labels: less rough
(after i breathe in your ear), you ask
to see the text pinned on my shoulder.
it slipped from under the pit
of my arm. i'm certain that i wrote this
sometime in the sixth grade, for a boy
with a crew cut and no notice
of me. there's an invisible violin
under my arm - i'm late to play
at a concert no one is attending. this
instrument is in my throat
and if you take this note off me,
i'm not sure what i'll say
this blackness on blankness, the pelvic floor
is like a trampoline in my mind; words you
put together jumble around and twitch. what is
that feeling when the elevator moves
suddenly, or when the phone says i like you?
we've moving upward. we're moving downward.
we've moving at a rapid pace. it's good to have
these small buckles, but the ride requires
you to lose those shoes. take my glasses, i can't
see. is it tomorrow or next year i'll say
i love you? serifs nudge my body, tease
something like an orgasm, more words fall out
is it the fear? the feeling from jane eyre
that we are strung rib to rib when we share
experiences. that the woman in the tower
is me. that the woman in the tower is my
madness, and that you will find it.
is it fear? in an episode of the outer limits
that you will strangle me, not knowing
it's me you're strangling? that i look
much uglier, really, than you realize.
i worry we're cross-genre and who will
buy that? i'm almost certain this piece
is brilliant and also that i love you or
could love you on thursday. need the carnal
electricity to power all of minneapolis,
frankenstein's monster but understood
after thousands
of lines, do you know
me (a little), i'm afraid
the next time we see
each others' eyes, it could be
too much. knowledge
has a way of shooting
or lying leaden in our
fingers when we use them--
or the beating thing
could stop; our chests
work like magnets.
after thousands of lines,
what happens to our bodies
when they pull apart? when they meet
i'm starting to see
that i fill
white space. you are
a line to
me, form
perception. connectedness
seems to be. the dots
for adults start as
a whole picture:
take information,
,
fall in love.
i keep falling asleep. you break
your hand repeatedly, usually on something
hard, when you look at me. even
in dreams, i feel the tether of self
restraint. i know you don't want me
to show concern over you. you won't
take these painkillers, hold your limb
under ice. its unnaturally warm here
and my eyes won't stay open.
the difference between having a hand
and not having a hand, the years when i loved
your religious passions and now
other than the cemetery, it's that palm
sunday with your parents and my quiet consuming fear.
it hurts my eyes to visualize
how i might have killed myself if we had
gotten married. it's better for you to believe
in god and for me to believe
in bones and stone. i think we saw the names together
but read different texts, i see generations
where you see the alphabet. after a while,
i count infant markers
you're a slot machine
and i keep giving
like it's christmas
yet you're the handle puller
you keep my insides
spinning
when i wake up, my heart
feels like a bucket
of quarters, heavy
and i keep giving
like i don't have carpal tunnel
like i won't feel empty after
at recess, you pick up
an unlit cigarette: we raise it
to our lips.
i have stolen something, not
noticed if it is wrong. your mother
told my mother
we are threatening
the other girls.
my mother heard
from shannon's mother
that you told shannon
you would beat her
up. she has eaten
a hole in the lining of her stomach.
i was teaching her
to hold the neck
of the violin.
Labels: less rough
you say i don’t know
what to say before thinking
about it. when i am upset
for unknown reasons, this is
concrete: i hear each footfall
you are not making. a rabbit darts
behind a large elm tree from the street
and we feel that way. there is no place.
the streetlights flicker on
like searchlights when we pass them.
why are we always walking
on these pathways? why not take the grass
we do it together
we don’t have time
for books
not together not
anymore, what’s this
premise for a foundation
a set of shared
experiences behind
a screen. your girlfriend’s
coming. i’ll see her
to the door
willingly
close-minded
when emotions are involved.
i’ll waste some time
you are a foreign
language i’ve learned and
of which my knowledge has
atrophied with disuse. i can say
“i" but cannot
conjugate everyday verbs:
to work, to eat, to read
to write, to watch television. your life
lingers in muscle memory, and
while i remember "tomorrow,"
i cannot interpret it
and while i can feel
your tears i don’t
understand them anymore.
spasms bubble; it’s been
years. deaths happen
every day and somehow i still
appreciate a pillow
more than a pen. with green ink
you have traced the boundaries
of my back; inside the outline
there is a mosaic. you can feel the fault
lines when you touch me.
it’s been a long time since submersion.
i have good form but don't know how to breathe
properly, this chlorine
gets in my lungs. i only read
instruction manuals. i only write i’m sorry
when i’m sorry, which is always.
we always have five more
years, which makes nothing
or everything okay. it’s the economy.
i cannot pay you to fix my muscles
or to trim my hair, everything
reaches down to the earth and grows.
the bus arrives there
an hour early; three hours
until the “safe train” comes. the cta
scares when it’s dark
on the streets i pass
a woman who screams
hostilely. i have turned
my back to the blue line, stomp
decisively towards olgivie.
a police officer stands
in the entry and donuts are
inside. fear. compare the costs
of wait and travel time,
of money and anxiety
of meeting my mother a moment earlier
i am insecure about my security.
this donut is delicious.do you agree,
other lollygaggers and your books?
he thrusts his weight into
the word, striking the sea
of cedar like a bell,
his diaphragm a
mallet. this stop
must be important: ce/dar,
ce/dar, ce/dar, like waves
crash into us. in an instant
his mouth a plain pucker, a cigarette
waiting for the bus
to stop - a light for the end.
with a lurch he is
off, leaving
a headache and the memory
of the cedar sea
wake up with something dense
rolling inside, making balance
and movement difficult. it is not
unlike being bloated
before breakfast. these dreams
you do not wake from move the snow
globe world, everything
false. everything to the ground violently
violently
shaken. ball bearings inside
mix ink and insides. should have closed
the book
before bed. the three
a.m. storm and in the morning, eyes
Labels: less rough
if i were not breathing i could hear
your breathing. unplug the electrical cords,
they power noises. quiet is impossible
to find in games of hide and seek.
if it is friday, i will send you a
text message letting you know. without
these words, we're useless. what is the weekend for
if not wasting? the sound of pages turning
is the sound of sticks breaking underfoot.
if i could hold my breath, you would
get your voice back. instead i'll sing to
the power strip. oh holy chat box
Labels: less rough
these twist pins i take apart,
rewire as someone voices instructions
concerning colored wires. the electric
current. two men ask for help
from two men, and together
they hoist a heavy light.
(when no one is looking i touch
the heavy-duty clamps. this fixture
we don't need to handle with our hands.)
my arms reach to move another
lighter instrument to bend
light. chris touches
his fingers to a flat surface,
and somewhere above the stage
several hundred
pounds and thousand
dollars mechanically turn
like heads
craning to catch the motion
of some long anticipated
bus
the hard a of complain
weighs on my tongue
counting a high number
of past pastimes
memories with sand
paper like flooring
pass an invisible line
marked by a lack
of inventiveness: this
represents youth and
the present is always
the past. the hard a of
crap makes a man point
a finger. i can tell
you used to live in chicago.
you’re looking backwards
at his shoes and trying
not to fall behind
Labels: less rough
here: take your phone out of your pocket. i'll
make notes in ink on this calendar. we make plans
as though we will continue to make plans.
there may be skewed expectations between us. you eat
with dozens of people; i can count my friends
in your eyes. the silence between the disappearance
of menus and the arrival of plates is shallow
although i could measure our words
with a rain gauge. if we don't get married,
i will take a long breath to reset. this will or will not be
one of life's major disappointments. i can subsist
on less than conversation. it feeds me to look at you
Labels: adam thinks this is done
you broke your hand, but you have another.
always keep a machete under your bed.
***
it will never be the right time to perform seppuku.
it will never be the right time to re-read the bell jar.
***
the bobby pin you carry behind your ear is a weapon.
the journal that you write in is full of lies.
***
a swiss army knife is not a switchblade.
a switchblade is not a chisel, is not for sculpture.
***
bob dylan whispers in your ear.
your hand knows what force to put behind the puck.
Labels: less rough
you cut the tie line, but there's still the safety cable; it's just not pretty
now that the cords are not in line
with the straight pipes.
use your hand to loosen the bolt: the c-clamp will hang on.
hollow pipes want this weight
and gravity will hold it.
some of the light is heavy with pattern, put into sharp focus before the barrel
is drawn back. this bastard amber
reminds me of the afternoon.
this is not a moving light. if you shake it, if it falls, there's still the safety cable;
maybe lose a barn door. there are two lenses and
a reflector, and they just keep working fine.
you broke your hand. i wrote about it, eventually
thinking the words 'you broke your hand'
would be irrevocably attached to my name.
you might open a book sometime, not
admitting you care, but seeing this section
have a 'you're so vain' moment;
knowing under deep denial how i broke
before you broke your hand, and how you helped.
it will make reading these poems awkward
as fuck. i see your rationalization
like a dementor trying to suck
away the essence of my words.
towards the end you would see your name there,
as on a tombstone, and it will make comprehension
difficult for you. and i will feel sorry
for any small pain my words
place on you. and i will feel sorry for
myself, because you may never know
i am present if you need me. and i will feel
sorry that if you realize what i offered,
it will be after we've both made do
Labels: you broke your hand
the small children inside us unconsciously
breathe. it's this that feels
like happiness: not the running but the moment afterwards, as our chests
heave. it's not that we make contact
but that we let go. you're it. run to me.
whenever we stumble, it is respite.
the adolescents inside us hyper-consciously
touch. it's danger of electric shock
that tempts us: fear of what happens afterwards, when
it's over. it's not that we make contact
but whether or not we will let go.
whenever we stumble, we hope someone catches us.
our pasts are quiet puppeteers, move
our limbs, press on the bellows
as we exhale. it's not the future that drives us
forward. it's not that we make contact
but that we watch our steps. we are surrounded
by mines. we stumble, but don't like to fall anymore.
absence takes up more space
than any body can fill
lyrics lack when
the music is gone
the notes aren't
without rest.
ghosts like toxic gas
diffuse in human containers:
your absence takes up more space
than anybody can fill.
when a friend has left
for the night or forever
the body is bloated, could be
a buoy for some ship to sea
i know we've had conversations. i was there.
they are like alphabet soup, verbs
in my mind: moving, crashing
bumper-car office chairs. the games we made
are best when i come at you running. you are quiet:
i am quieted. you are made of
magic. if you and i shared
space and time, i might know you.
understand. this is not how it is with other people.
in summation: don't have sex
with someone you want to have sex
with, someone who wants to have sex
with you. maybe it means something
to someone, and it means sex
to someone else. something amazing
is going to happen, and then someone
will flatten under another someone's
body. the body is not just the body
to someone. the body is a representation.
sex is not sex to someone, it is a shared
space. the space is internal. the space
fills the universe. the space joins
everything living. the space is god
when god does not. the space is where the soul
goes. and sex is not for filling empty spaces
Labels: whedon
a number of desires. it's true i can't
teach you to open doors. when i ask to come inside, there's the sound
of a deadbolt. i have never been truly afraid
of freezing to death, before. these matches
do not reveal god. these matches will not warm your hands; my own hands
are warm from the breath i imagine comes under the gap. no one knows
wherein the house you live. i suspect you look through the keyhole,
but not when i'm looking in. from time to time i speak, and
maybe you hear me. i cannot breathe this brief fire. alone,
my body heat is escaping. perhaps you feel it like a fever. i know
the knob is hot, but it's your space which houses the potential
backdraft, and though the lack of oxygen is dangerous, i'm willing
Labels: lit
like each other
acknowledge it
state your intentions
handshake
fuck that shit
hug
drink something
play a game
but not with words
laugh
express concern
emote, a little
eat something
sit in the awkward moment
but not for too long
you broke your hand, you considered me
broken. you dropped what was taut
between us; a dramatic exercise,
an imaginary line fell below eye level.
i have other friends; we're going to go
shop for guitar strings. your immobile hand
can't make the chords. my heart slams on
the wall of my chest, wanting
sonic waves where there is a broken
bow. i know you know things, just
not what you know. we've both been part of this
orchestra; we don't share a stand.
i still love how you
love the sound. i keep taking
these lessons,
but my muscles haven't learned to relax yet
Labels: you broke your hand
when i'm happy, i have nothing
to say.
my ankle has twisted many times
stepping off a higher plane
onto the ground. i love what i think
is the sound of your thinking
about me. imagine
the sound of reading
while walking, or rocking
to guitars with eyes
closed. when i'm happy,
i'm full of potential
injury. the sound of a bone
breaking is louder than the sound of a smile.
the aimless bike rides are good.
the talking to you in my head -- that you
who doesn't really exist --
it's hard to think of you
rounded out, it hurts
even when your voice is
lyrics on repeat. i can handle
the instrumental underlying
my paced breathing. it's the true you
who catches my breath. the muscles in my
neck are sore
from all this swallowing. all this being
awake. the aimless bike rides take
me somewhere, sometimes take
hours. one word which comes
from you takes me
back
so many miles
we can have everything
in common but never finish
a loop.
it's in my body, whatever
screams at you
and tries to claw out, like so many science fiction horror stories.
when the winter comes, it requires slow
steps to keep from slipping.
i think there is dry ice inside
and when you exhale, there is always smoke.
i know it's cold, but it's sexy.
and when there is a passion
we both don't believe in it.
and when there is a passion
i could be a vampire.
and when there is science
i could be a zombie.
and when there is a passion
you will be human.
and where there is science
you are as brain.
and when you are human
it will not be for me.
you know what i hate? the way you make me
feel. i would love to
stop your mouth
your typing fingers, remove
writing utensils. graphite is dangerous, it fills
the blood. your lungs
are full of alphabet. my lungs
exhale caustic
commentary. it stings to breathe
the same air
or i could stop
my senses, ears and eyes, make you
remote.
it is around this time that i hold
you
or the space
around you
it's this election, the warm feelings i have
for you - i've been holding my breath, and now
we can let go. i could squeeze you until we
feel alive. across but not across town, we're
full of joy, pride for this place.
some days it is high school. why i have to defend
the basic rights of others
is beyond me. why we have to re-post posters
ripped down from the wall. what are you trying
to say, exactly? but some days are this morning, this late night:
we can finally sleep
easier. have a dream
that in the future, this will all be okay.
all of these strangers are holding
my heart. yes, we're happy, Obama
makes another good speech, but Minnesota,
how do you sleep? it makes me
want to post youtube videos. it makes me
want to fill with alcohol. it makes me
want to have 'it's a wonderful life' powers,
'a christmas carol' powers. if this passes,
there will be no Christmas.
you know what i hate? the way you make me
feel. i would love to
stop your mouth
your typing fingers, remove
writing utensils. graphite is dangerous, it fills
the blood. your lungs
are full of alphabet. my lungs
exhale caustic
commentary. it stings to breathe
the same air
or i could stop
my senses, ears and eyes, make you
remote.
it is around this time that i hold
you
or the air
around you
a man whistles to his dog. with this ballot,
i thee wed. my beloved is america, is in this tomb. it's unclear
if we're going to make it. if we don't leave this bed
tomorrow, for a honeymoon or for a grave.
you broke your hand and it hurt me: the story and my
imagination. talking to you is like talking to every film
character who has ever been more than two dimensional.
talking to you is like talking to every book i have
ever loved. talking to you is like talking to the dead.
you broke your hand and didn't realize it. my bones
are in tact and have never known plaster. my bones imagine
that they would cry if they met Fracture. my bones know
in their bones that they would be immediately aware,
if they were broken. my bones feel they should have known your bones.
you broke your hand and i kept forgetting: it made me feel
like the worst friend. being an individual, thinking
of myself above you. it's wrong to think that
loving someone means putting their needs ahead of yours.
it's this oxygen mask. we both put on our own.
you broke your hand and that's all: your hand is broken.
you take care, people write on your body, time passes,
your hand is a hand again. it's sick, i've always wanted
to be broken like this -- in public. exterior injuries
elicit sympathy and conversation. covered eyes and "oh fuck" do not.
you broke your hand and i want to know what it feels like.
i want to compare our thresholds for pain. i want to know how it rides
inside your body. is everything different? i think everything
must be different. the way our synapses fire, our sexual organs,
our unshared histories. how is your heart
you broke your heart and i don't know about it. i only know
it must be true. i make the assumption
that you are human, that when we both breathe it is
conversation. that if i reserve these words, eventually
you will say something, and not all of it lies
Labels: you broke your hand
you broke your hand on a sponge;
i broke my tongue on a bookend.
we shake our bodies.
we shake, but with head nods.
movement is subtler than before. it's hard for you to understand
when my arms engulf you like a great fish.
the ship is on the ocean;
the ocean is in a sponge.
the earth is rather small.
movement is subtler than before. it's hard for you
to stand still and not be seasick.
we shake our heads.
we shake, to say no.
i broke my tongue on your name;
you broke your hand on my hand.
Labels: you broke your hand
it's good, the music
grows with you
when the phone rings, you don't
always pick it up
like when you were a child
your roommate talks to your cat. to herself. sings.
you're "too old" for a roommate.
friends who are close
by are also quiet
it's good, the music
says it for you
and what the music says
ch-ch-changes
you broke. your hand held on
to the metal rail. your body will not
fall below the ground. a message is relayed:
your mother is dead. you do not understand
how bridges work. the rail is unreal,
like your hands and all of the elements.
no one notices
the set of matryoshka dolls
forming around you.
you head is not always proportional
to your body. your painted exterior
is smooth and does not know how
to make a fist. it's hard to hold on
without hands. these bodies around you
make you feel heavy, like an anchor.
Labels: you broke your hand
you broke your hand when asked. it's this kind of devotion
that scares most people. if i were to give you poisonous berries
you would know better than to take them. something about these games
pushes us together. it's not just chemicals or eyes.
if this were for life or death, and it is, you would
take arrows but would not pretend to love me. if i were
someone else, a better hunter or gatherer? this magic is medicine.
this broth is broth. this cave is temporary. these injuries will go.
Labels: lit, you broke your hand
i am looking for a job. it doesn't
hurt my feelings when you point out
i've got no direction. you are turning
into a straight line or arrow
whose point is boring
into my chest: the concave area
where my floating ribs open
from the sternum. sometimes i feel
like taking a bone from my body
when i want to touch you. you are looking
for a job, but harder than i am. we
recognize this. the drive you have is larger.
it is too late to apologize
for words we might have exchanged
like malfunctioning christmas poppers.
in other news: i'm awesome, these people are
awesome. i still hope to be famous
after i am dead. like everyone else
the slow motion segment of a busy street scene
is me. a cinematographer is thinking about
sylvia plath, about the word hullaballoo.
i am going to stop sharing my favorite words
with strangers. giving a boy the dictionary
is like giving away your heart.
giving away your heart is like asking
to be punched in the face. most girls don't want
to watch edward norton and brad pitt
fight. i like films where a man is followed
by the rain. in other news: this party is
the only party i have ever been invited to.
i still hope to be popular after school.
like everyone else. i regret quitting
the violin. if you know how to play
the piano, please teach me to play
the accordion. we all make chords when we sigh.
you know, you're pretty
fascinating. i know, i talk a lot.
it's the silence that's uncomfortable.
it's the silence that you have to bury yourself in.
i forget all recent moments.
there are no photographs.
i'm telling you how to get
to this place.
you reveal i took you here
in your twenties.
it's a struggle to read
what's not on the internet.
it fills the silences
where memory should be.
we converse about words which sound
like sinking.
we are best when dreary.
we are talking about "straits" and shirley jackson.
your father sent me a poem
which is not by frank o'hara, and i haven't read it.
you send me a poem
about vampires. everything is about vampires nowadays.
strait. if this word is right, we are in
college, i mean in love.
the screen door opens and breathing
(the right kind) is learned by your muscles.
there's a cold breeze coming in. it hits
the back of your neck like memories
of singing to strangers in cultish churches,
as though your siren voice could fix jesus'
blind league. it's not your place to close
the door; you just paid your three dollars to sit
in the internet with a pot of tea. you know
you're a fraud, right? you've had gallons
of water steeped these two months. you never
liked this before. suddenly, facebook
is the only place you know. where exactly
did you live before? pack up this home and
put the lights on your bicycle. like all
rituals, it takes too long and no one is
watching. you try so hard
to be bright. you try so hard to be bright.
you broke your hand; it will be difficult
to keep your status in rubik's cube
circles. while you're out getting
plastered, i break into your space
to put the puzzles into boxes.
the need to catalog is in my unbroken
bones. i am trying to assign subject headings
to the conversations you and i have had
but the text is missing a third
person omniscient narrator. speculation
is not my job. my job will be difficult.
conversation could help, but it never does.
Labels: you broke your hand
you broke your hand, but you have another.
always keep a machete under your bed.
***
it will never be the right time to perform seppuku.
it will never be the right time to re-read the bell jar.
***
the bobby pin you carry behind your ear is a weapon.
the journal that you write in is full of lies.
***
a swiss army knife is not a switchblade.
a switchblade is not a chisel, is not made for sculpture.
***
bob dylan whispers in your ear.
your hand knows what force to put behind the puck.
Labels: you broke your hand
you broke your hand after using it
to tell me we are avoiding each other
now. if i decide to believe in
fate, then i'll decide that this is
kismet. i don't believe in god, but
in my mind are the hands of all the dead
buried in the earth. nothing holds them
together; their hands are all pieces.
if they were not broken, they would
applaud this performance you and i have been
putting on. but they do not exist as god
does not exist. i breathe into them, using the air
to say their names, using my fingers
to spell their names. i seek out the graves
which have your and my names. nothing holds them
together except the alphabet and my voice
Labels: you broke your hand
You broke your hand; I'm pretty sure
it's my fault because I wished something bad.
My mother broke her back, but I
stepped in all the right places.
None of my bones have fractures.
These organs are compressed.
My heart is always racing. It makes me fear
the possible side-effects of medication.
Labels: you broke your hand
you broke your hand when asked. it's this kind of devotion
that scares most people. if i were to give poisonous berries to you
you would know better than to take them. there's something about these games
that pushes us together, and it's not just chemicals or eyes.
if we happened to be in a life or death situation, which we are,
you would take arrows but you would not pretend to love me. if i were
someone else, a better hunter or gatherer? this magic is medicine.
this broth is broth. this cave is temporary. these injuries will go.
Labels: lit, you broke your hand
you broke your handbell. the clapper hits
the inside, goes thunk. i am studying
the practice of relaxing
my upper body. even when i'm sick, the sound
rings the way my heart used to sing
when your shoulder pushed into mine.
we used to play these handbells
together. even when i'm good, these few
notes are not enough. the music i make
is wanting, misses a particular
tone. it's pure, but lacks
harmony. and even discord is beautiful.
Labels: you broke your hand
you = broke, your hand = pressing on my panic
attack button. if this were real life,
i would hug you, and you would feel
strangled. you = broke, your keyboard = playing
notes to me unawares. if you were cognizant, you would
close the computer and put your foot down
on the damper pedal. as a child, my parents said
i take care of others so
well. as an adult, our mothers = broken, my father's
advice: you can't keep trying to fix things. you
broke your hand; these bones
will heal. it's the parts we can't cover
in plaster which are difficult
to locate. if we were together, we might
say hello in polite company before running
towards the closet. i'm crawling with missing limbs. pick me
up: i have enough pieces remaining to recreate
life. pressing on, this panic attack.
Labels: you broke your hand
you broke your hand on my chest
-plate. i put the suit on
before you could say 'distance;'
tony stark would be proud.
this power source isn't clean
and i can tell i'm shutting down. denial
is essential to resolution, just ask
a superhero. science always works
with outright rejection
to offers of assistance. real men
dance through the movement of one limb.
you could put that thing on ice,
but it already is. the catalytic converter
you broke is broken. you broke
your hand; this palladium is poisoning
me. this power source isn't clean.
Labels: marvel, you broke your hand
you broke your hand and left it there,
with the boulder. the boulder is named sylvester
and wants to help, but rock is immobile
until you push it. sometimes gravity is
stronger than the nudge of your toe or
your full weight on this pulley system.
potential energy is scarier than kinetic energy.
potential energy doesn't think
about friction: it just waits. sylvester
hears your swearing, your self-
composure, but cannot reply. boulders lack
what few communication skills humans have.
your hand cannot talk anymore. the fingers
are immobile and cannot say your name.
this is the worst thing that could ever happen
to you. it seems every word you want to say
requires two of these, and you
are only ever going to have one.
Labels: lit, you broke your hand
the man who might have been says there is no paperwork.
you and i sign anyway. the dragons blow
smoke signals to our parents, who disapprove
of legality, of marriage, of happiness, of
sacrilege. your mother fights my mother
in unarmed combat; your mother is pinned down
by your father as though she is Thumbelina
and he is a mole. my mother melts, leaving
a list of improvements i should make to my personality.
the dragons fly our fathers to remote locations.
the dragons disregard our paperwork
but not the one ring
which rules us. the man who might have been says
there is no 'you' here; you and i disagree, shoot him
full of arrows. it's true, i have never
seen your face. the west wind carried me
from the mountaintop. if i had sisters, they would chide me
for my belief in magic. if i had sisters, they would bring me
lamplight to look on you by. but
i don't, and i won't. i'll close my eyes, it's
so very bright here in the daytime.
you broke your hand. it proves you can break; i was told
by the hum made of everyone. i'm transparent and can't see
with these invisible eyes. an older gentleman at the counter
looks through me. at night, it's difficult being made
of glass. all my friends are vampires and
find me uninteresting; they don't see themselves.
i am made of reflections. at night, humans lose
their features; everyone sounds like you. under the hum
made of everyone, i feel the heat you make while
breathing. all the world is vampires and
finds you fascinating. i know if you touched this
glass -- oh, thermal conduction! -- i might die again
Labels: you broke your hand
you broke your hand playing with a slinky
on a staircase. i fetched the pail
of water for your mother
in labor, stepped over your small crying
form. the hot metal
scorched my thigh, a purple pain
imprinted there. you're an adult:
kiss all these injuries
like a good doctor. cough. now
cough again. the baby won't live
for long. i have to let you know
these games are timeless: even if your plastic
glows in the dark while my sharp
metal keeps its kinks, entanglement
is inevitable. the stairs will always be
dangerous, and there will always be stairs.
Labels: you broke your hand
you broke
your hand, my head is going
to explode, and it's killing me
that i'm not tearing
down the basement. my hands are idle,
twitching in the passive
air; my head is going to fall
onto this sticky surface. you
broke your hand before i could
touch it. your hands
twitch in the active
electric space i've made
between us. the basement is dark
and you don't belong, although
i invite you down. it's dirty
down here. we mess around
with other people's psyches.
i'm sinking into my own head
space; you're breaking your
self, demanding distance.
it goes unsaid: don't fill this
space with energy,
hope or smiles, flowers
or wishes for a speedy recovery
Labels: you broke your hand
I told Don I was going to write "like twenty poems" beginning "you broke your hand," and that's unrealistic, but I'm going to start counting.
Labels: you broke your hand
you broke your hand, my heart
aches every time i don't
tell you to take care
of yourself. if i tried to do it
it would hurt somebody. our mutual friends
say your name out loud: jabs between
the shoulder blades alternate the rough
blows with pin-pricks. i feel them all
intensely. it's this fucking
intensity! like a wall
of sound, it makes it hard for us to hear
each other. i have never cried
over you -- this goes too deep. something
is shut down inside, and i want
to stop
wanting
Labels: you broke your hand
emily describes the place i don't want to be
as 'the muck,' and says i need to learn to sit
in it. i realize that i like words
to be concrete. i restrain feelings like ink
in a pen until i stop holding up. now you're drowning
in the black sea, and i'm sorry. here's a space
or period to float on.
space exists, i know that
nothing is not nothing
and while we do not talk
i feel you breathing
on my ear. the stars exist;
i will never see them
the way space sees them.
i will never know you
the way space knows you. i
know that. while we do not
talk, you breathe and i
practice breathing. so far
i self-suffocate, try to hold
onto air. sing these assigned
love songs, make my body panic.
wonder and wonder and wonder
about everything
i cannot see.
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