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Why I Am Not A Painter

            A l l   C o n t e n t     ©2005-2021           E m i l i e  H a n s o n            e-mail             twitter                Minneapolis, MN               links & archives

            a pile of mostly raw and probably bad poetry

            on the internet
            in the hopes of creating something better

            This blog is not CLEAN and is not meant to be.
            Useful critique appreciated, i.e. specific comments and suggestions.

            You need not identify yourself unless you want to;
            comments will be judged on value, not the source. (Although knowing the source can be useful.)
            Unsupported heckling OR praise are not appreciated.

            Also, I vaguely apologize if you're my friend and you see yourself or others we know here.
            I am aware that that can be unsettling
            but that's the risk you run being friends with a writer. Also,
            maybe you're just being paranoid. Also,
            there is never a clear picture of reality

 

untitled, incomplete?

The first time I tried
telekinesis, I held up
an iceberg for you, old man

and the sea be damned -- we 
could see it all. They get it wrong
in these chronicles; holding objects with

one's mind hurts, strains like any
muscle in the back: my head is
bulging with effort like a babe's,

this wheelchair is nothing
but neck support. I am exceptionally
strong, yet

I hold icebergs, and 
they are cold, and 
they are heavy

Labels:


 

can you be anything / but weapon x

it's like she gave you a cream. you can't
fall back into that warm bath sleep you saw
inches in front of your eyelids. you're awake 
now and will always be 

awake, the metal bonded to your bones 
itching under the skin. what is relaxation? 
at some time the world is ending - there is nothing 

to do but kill.

if only sinking were as simple 
as drowning. smoke all you like, the lung 
will heal after a few days and pain.
drive a motorcycle: it saves 

words and exposition. what is pain? 
i've been there. I'll take speed, I'll risk 
it since it is small.

it was like she was
a balm, a dream...you can't 
sleep for fear of the nightmare 
where you stab her in your sleep

Labels:


 

Cap One

it's the good that lets you be
the advertisement of government

enhancement. it's the good
that you enhance; it just looks

like the body. it was always in you.
someone had to see it.

made you Jesus, made you
defend.

you were constructed
of nostalgia, the idea that

it was better in the past.
people were wholesome

and ate white bread.
you wore the flag instead

of a mask. you were a symbol
of honest government;

honest America, you were a
symbol, and symbols are used.

Labels:


 

jean one

you see Scott and
the outer signs
of madness, the consumption

of worlds, yet
in these pictures
of outer

space, there is
some dark struggle
no one is narrating. the challenge

has always been on the page, how to put it
down: these thoughts (not
the ones i'm reading)

are the real torment. he sees
the outer effect, macro molecular change
at the surface of my body, but what

shifts in the larger space! when i don't
see his eyes, they still express
and move

and if i destroy the sun,
i'll know in the aftermath
each life lost is my life again

Labels:


 

logan one

i hear it hurts, how
adamantium pierces you

but it is hard to see
in your face. how

is it that you heal? is it
easier when your mind is

missing to know
what you are

or want? the past is bonded
to your bones, like

a fingerprint someone
who is not god

pressed into the clay
of your brain. memory

i hear it hurts, how
it can pass through

like a bullet
ripping

carving a hole
your body will fill.

you're heavier
now that this cold

hardness is part
of your core--

Labels:


 

on deconstructing distance while you are "away" with reference to time, insulation, and the female mind

in the light it's not
my mind i feel your hands
on my hips somewhere

(between emma frost, who could care
less if
i want her, and

buffy summers, who is present
but invisible, uses invisibility
to free her body)

your hands are warm but colder
than the air under blankets
and blankets and blankets i have

covering me as though the weight
of them could cover me your hands on
my hips feel in many places

here the light is
young and where you are
the light is younger

in my mind i am in your mind
and these bodies are but
they are also transparent

it is winter i can feel it
when i breathe it is summer
or spring all of the world is coming

to life while we laugh
believing and unbelieving
the ways we have to touch each other

Labels: ,


 

revision: the end or untitled 18 beginning "you broke your hand"

you broke your hand, now you can't
climb walls. there is something

in her eye. take a picture:
it's your job. peter, only you

know if the costume under your clothes
itches. it's a choice

to let someone undress you,
to use your sense to evade a blow, or
to catch someone falling.

Labels:


 

defense, or Untitled 6 beginning "you broke your hand"

you broke your hand on my chest
-plate. i put the suit on 
before you could say 'distance;'
tony stark would be proud.

this power source isn't clean
and i can tell i'm shutting down. denial
is essential to resolution, just ask
a superhero. science always works

with outright rejection
to offers of assistance. real men
dance through the movement of one limb.
you could put that thing on ice,

but it already is. the catalytic converter
you broke is broken. you broke 
your hand; this palladium is poisoning
me. this power source isn't clean.

Labels: ,


 

study in dual identity

peter parker, the spectacular
spider-man. that man is throwing

up the sign
of VOLDEMORT, you know

who, that man is young
Casanova, that man is

definitely

an actor. peter parker, the
total dweeb

is getting sucker-
punched by someone

no one knows, is goggly-
eyed over my physics

homework.

physics denys most of
magic. that man

is holding a stick
which makes a sign

in the air; the air
is vulnerable to

magic sticks. peter parker
has busted his web-

shooters again, damn
those nasty falls

Labels: ,


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